EXHIBIT: Martino Flynn builds the buzz

Check out this recent work from the High Falls team at Martino Flynn. We asked art director Paul Hill for the buzz:

What was the reason for the change?
The J.W. Dundee brand was mis-categorized within the beer segment—often being placed with the lower-shelf, sub-premium products. Our client needed to convince retailers and distributors that the J.W. Dundee line of products was worthy of being placed with the higher-end craft beer offerings. Also, due to a lack of strong brand identity, there was no awareness of the relationship between the six different J.W. Dundee product styles.

Why did they decide to drop the JW?
There was no one actually named “JW Dundee” — it was a fictional name created at the inception. “JW” was the original brewmaster’s initials, and “Dundee” is the village in NY where the honey was made. Since there was nothing authentic about the brand name, we decided to shorten it.

How did you come up with the illustrative approach?
For the craft beer audience, whimsical and quirky brands are seen as authentic and “anti-big brewery” — so illustration was the perfect choice.

It’s so tough to get clients to buy off on illustration…how did you do it?
Casting a bee to play a marching drum was just not working… it had to be an illustration. But once the clients saw the infinite possibilities that illustration gave us, they were very receptive.

Tell me about the digital element.
Martino Flynn created the DundeeBeer.com website, including the flash programming, in just under three weeks in order to have the site up during the key summer sell-in period.

Anything else you want to tell us?
Martino Flynn also created a slew of permanent and temporary POS elements to support pubs and retailers.

Props to:
Agency: Martino Flynn
Creative Director: Tim Downs
Copywriter: Duane Bombard
Art Directors: Paul Hill, Lisa Nasca, Sherri Baker
Prepress: Anne Trabold, Steve Safran
Production Supervisor: Matt Rankin
Interactive Developers: Scott Wolf/Pete Fazio
Account Executive: Gina Piendel
Illustrator: Richard Wehrman, Merlinwood
Photography: Studio 2B
Client: High Falls Brewing Company

Clickity:
www.DundeeBeer.com

And so it begins: RifRaf Exhibit

It turns out RifRaf is read by Scott Wolf, my mom, AND Jeremy Schwartz of RAF member Partners & Napier. Thanks Jeremy, for the snappy response and the great work for Kodak Entertainment Imaging. (Click on the image to see the ad bigger.) The film vs. digital argument has been raging for some time now. Living in the birthplace of organic, random, beautiful silver halide crystals, I have definitely drunk the kool-aid: I love film. I’d love to hear what local cinematographers and filmmakers have to say about the subject. Hellooo, Matt EhlersTim WainwrightDavid MarshallTim Beideck…and any of you lurkers out there. Feel free to chime in anytime.

Got some work of your own you’d like to share? Send it along, with a high-res jpg, credits and a brief description.

Here’s the story on this piece:

This is the first of 3 print ads and a link to live online content for a Kodak Entertainment Imaging campaign heralding film capture. We’re letting the industry talk back — in their own, authentic words — against the rising tide of hype revolving around digital capture and reminding motion picture professionals why film remains to be the gold standard for filmmaking. The campaign will culminate in the release of a documentary film which we’re currently editing for an early 2009 release.

The first print ad (attached) features Samuel Bayer, acclaimed commercial and music video director that has brought his vision to ads for Nike, Visa, Volkswagen, and Pepsi and to music videos for Nirvana, David Bowie, Green Day, My Chemical Romance, Sheryl Crow, The Strokes, Smashing Pumpkins and countless others. The ad is currently running in American Cinematographer and other trade pubs.

Check the first of some online content related to the effort.

Credits:
Agency: Partners + Napier
Creative Director: Jeremy Schwartz
Account director: Kurt Jaekel
Account executive: Heather Semmler
Art Director: Jack Jankowski
Designer/Retouching: Jack Jankowski
Copywriter: Scott Allen
Photography: Gabrielle Revere (portraits), Jeremy Schwartz (insets), Justin Arcangeli (product)
Print Production: Doug Hood
Interactive Art Directors: Marcus Lennon, Mike Governale
Interactive Project Manager: Kim Pegg
Interview footage:
Director: Henry Corra
Producer: Jeremy Amar
Kodak Client: Sarabeth Litt, Nicole Phillips

And yes, we shot all content on film, both for print and motion interviews.

Crickets

helloooooooo…is anybody out there? just wondering cuz it gets pretty lonely in here. if you’re listening, i got a proposition for ya. done any good work lately? something you’ve been itching to show off? well, let’s have it. honestly, i’d (heck, we’d) love to see it. and post it here for the other two people who read this blog (not counting my mom, natch). let’s start our own little exhibit of cool work being done in this town. because we both know it IS happening, right? send a nice jpg of your latest and greatest to kate@katesonnick.com and i’ll post it here. be sure to include credits and a brief description of what it was for. students, this includes you, too! show us what you’ve got.